Writing
RECENT WRITING
From Interieur Interiors by Vincent Grenier
REVIEWS
Close Your Eyes (dir. Victor Erice) for Reverse Shot
Coup de Chance (dir. Woody Allen)
The Permanent Picture (dir. Laura Ferrés) for Screen Slate
Explanation for Everything (dir. Gábor Reisz)
Solaris Mon Amour (dir. Kuba Mikurda) for Reverse Shot
Walk Up (dir. Hong Sang-soo) for Reverse Shot’s Two Cents of 2023
REPERTORY FILMS
Journeys and Detours: Robert Frank on the Road for MUBI Notebook
Vincent Grenier Tribute for Screen Slate
Personal Belongings: First Person Documentaries in the 1990s
The Parallax View (dir. Alan Pakula) for Screen Slate
The Passenger (dir. Michelangelo Antonioni) for Screen Slate
Shulie and Maria Schneider, 1983 (dir. Elisabeth Subrin) for Screen Slate
The Searchers (dir. John Ford) for Screen Slate
To Be or Not to Be (dir. Ernst Lubitsch) for Screen Slate
Postwar City Symphony (films presented by The Film-Makers’ Coop and Film at Lincoln Center) for Screen Slate
Street Magicians: the Fleischer Brothers and Ernie Gehr at MoMA for Film Comment
Tom, Tom, the Piper’s Son (dir. Ken Jacobs) for Screen Slate
Opening Night (dir. John Cassavetes) for Screen Slate
Bitch (dir. Andy Warhol) for Screen Slate
The White Game (dir. Roy Andersson, Bo Widerberg, and more) for Reverse Shot
Vivre sa Vie (dir. Jean-Luc Godard) for Screen Slate
Jeanne Dielman (dir. Chantal Akerman) for Reverse Shot
INTERVIEWS
Anirban Dutta and Anupama Srinivasan, directors of Nocturnes
Phillip Lopate (for Screen Slate)
Agnieszka Holland (MUBI Notebook)
FILM BOOKS
Carrie Rickey’s A Complicated Passion: The Life and Work of Agnès Varda
Phillip Lopate’s My Affair with Arthouse Cinema
Christine Smallwood’s La Captive for Screen Slate
FESTIVAL REPORTS
Toronto Film Festival dispatch, with Saffron Maeve and Elissa Suh, for Screen Slate
2024 Cannes Film Festival for Reverse Shot
MISCELLANY
Baseball Auteur: In the Truck with John DeMarsico
AND SOME OLDER STUFF: FREE CATALOGUES ONLINE (From Museum of the Moving Image)
Films that Tell Time: A Ken Jacobs Retrospective
Independent America: New Film 1978-1988 (with writing by myself, Steve Anker, Berenice Reynaud, Jonathan Rosenbaum)
AND I EDITED THIS BOOK ON ONE OF MY FAVORITE DIRECTORS
David Cronenberg: Interviews can be yours.
Molly Haskell likes it: “This brainy, deep dive into Cronenberg by interviewers who are more than up to the task, covers the director's background, his literary as well as cinematic tastes, analyses of the individual films, all without a wasted word. A must not just for Cronenberg fans but for movie lovers in general.”