Writing
RECENT WRITING
The Permanent Picture, courtesy New Directors/New Films
On Postwar City Symphony films presented by the Film-Makers’ Coop and Film at Lincoln Center (Screen Slate)
Review of Woody Allen’s Coup de Chance (in the blog)
On Christine Smallwood’s book about Chantal Akerman’s film La Captive (Screen Slate)
Review of Solaris Mon Amour (Reverse Shot)
Street Magicians: The Fleischer Brothers and Ernie Gehr at MoMA (Film Comment)
Ken Jacobs’ Tom, Tom, the Piper’s Son (Screen Slate)
Gena Rowlands in Opening Night (Screen Slate)
Andy Warhol’s Bitch (Screen Slate)
On Hong Sang-soo’s Walk Up (in Reverse Shot’s Two Cents of 2023)
Roy Andersson and The White Game (Reverse Shot)
Jean-Luc Godard’s Vivre sa Vie at the Paris Theater (Screen Slate)
Chantal Akerman’s Jeanne Dielman (Reverse Shot)
AND SOME OLDER STUFF: FREE CATALOGUES ONLINE (From Museum of the Moving Image)
Films that Tell Time: A Ken Jacobs Retrospective
Independent America: New Film 1978-1988 (with writing by myself, Steve Anker, Berenice Reynaud, Jonathan Rosenbaum)
AND I DID THIS BOOK ON ONE OF MY FAVORITE DIRECTORS
David Cronenberg: Interviews can be yours.
Molly Haskell likes it: “This brainy, deep dive into Cronenberg by interviewers who are more than up to the task, covers the director's background, his literary as well as cinematic tastes, analyses of the individual films, all without a wasted word. A must not just for Cronenberg fans but for movie lovers in general.”